As they open the exit door a bright, white mild floods the auditorium, and the sound of marimbas drowns out the cheering crowd. But Goold’s interpretation of Prebble’s stage course “September ” just isn't on this camp. Like the sinking of the ship imagined in John Thornberry’s A Night to Remember, the fabric indexicality of the theatre—the way in which usually shabby, flimsy issues level to “real


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